Danny Boyle Steve Jobs Interview On 60
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AP Images Danny Boyle Leonardo DiCaprio Split - H 2014 "The Beach" director is said to want to reteam with DiCaprio on the Aaron Sorkin-penned biopic of the iconic Apple co-founder. Moving fast to replace David Fincher on its highly anticipated Steve Jobs movie, Sony Pictures is in talks with Danny Boyle to direct the biopic of the late Apple Computer co-founder. Boyle is said to have approached Leonardo DiCaprio to star. As The Hollywood Reporter revealed earlier this month, Fincher fell out of the project due to his aggressive demands for compensation and control. Fincher had wanted Christian Bale for the title role, though the actor was not signed. EXCLUSIVE: David Fincher Out of Steve Jobs Movie in $10 Million Fee Fight The film is to be produced by Scott Rudin and written by Aaron Sorkin ( The Social Network), based on the best-selling biography of Jobs by Walter Isaacson. Film 360's Guymon Casady and Mark Gordon are also producers on the film. The Jobs film could mark a reteaming of DiCaprio and Boyle, the star and director, respectively, of 2000's The Beach.
Danny boyle steve jobs interview on 60 days
How do you make an honest movie about a legendary man, one whose early death left his own story unfinished? That question lies at the heart of this week's 60 Minutes story on the making of the film "Steve Jobs. " And it's one that acclaimed director Danny Boyle set out to answer when he took on the densely written, three-act script by Aaron Sorkin. " Ambitious is the word I like to describe it, " correspondent Steve Kroft tells Overtime editor Ann Silvio in the video above. "Steve Jobs would have liked this movie, because it's different. It takes a lot of risks. " 60 Minutes producer Michael Karzis agrees. "There's no exposition. There's no setup, " he explains. "The movie just starts. And you're on a ride for two hours. " It's not a ride that everyone is up for. Laurene Powell Jobs, Steve's widow, was unhappy with her husband's portrayal. And in a December interview, Apple CEO Tim Cook told 60 Minutes, "What I can tell you is the man I knew is not the man in the movie. " Still, Kroft says, that doesn't mean the man in the movie isn't a reflection of the real Jobs.
Danny boyle steve jobs interview on 60 ans
Neither has previously worked with Sorkin. Q&A: Danny Boyle Looks Back on the Kids and Controversy of 'Slumdog Millionaire' Sources caution that deals are not done. And DiCaprio has committed to star in Alejandro Gonzalez Inarritu 's thriller The Revenant for New Regency starting in September. The departure of Fincher dashed hopes of reuniting the team behind Social Network, which grossed $225 million worldwide in 2010.
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Danny boyle steve jobs interview on 60.com
These factors interested Boyle more than the promise of a drug relapse — he jokes that "the drug that's most abused in the film is Viagra. " To put enough distance between "T2" and the original, the filmmakers at first refused to call it "Trainspotting, " going instead with the name "The Least Unfamiliar. " "It was to try to let the film get on its own two feet and work out its relationship with the past on its own, " he said. Meanwhile, Boyle was dealing with the fallout of another challenging project. Jobs Well Done? Boyle's previous feature-length directing effort, 2015's biopic "Steve Jobs, " was a box office disappointment. But the director has made peace with it. "There's a wonderful expression: If people don't want to come, nobody will stop them, " he said, laughing. Because Boyle works almost exclusively with small- or medium-sized budgets, he said the film's failure won't impact his career very much. "That means you have both the ability to work again, because you're not hemorrhaging money for a studio, and also you can make the films about what you want them to be about, " he said.
The school, being budgeted at 30 million British pounds ($36 million), will come with a special focus on new forms of visual storytelling, including web series and virtual reality. "I'll learn a lot about filmmaking, " Boyle said. With the school, he also hopes to peel away some of the British cultural influence from its London center. "I come from Manchester, and I'd love to be able to, in a small way, pay forward what I owe that city for the way it formed me, " he said. As long as Boyle's return to Manchester is nothing like Renton's return to Edinburgh, he should be fine. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
Danny boyle steve jobs interview on 60 hour
The director of "T2" explains the 20-year gap between the first installment and its sequel. He also touches on his relationship to TV and his plans for a new film school. Danny Boyle and "Trainspotting" helped define the way an entire generation saw drugs — not just the fact of them, but also the experience of what it would be like to take them. Although today, Boyle thinks his quick-cutting, off-kilter depiction is of a different drug than what you remember. "I think if you're being honest, the first film resembled more MDMA drug abuse than actual heroin abuse, " Boyle said. He spoke to IndieWire on a tour stop in Chicago, now the home of Irvine Welsh, author of the original novel. "The adrenaline of the film was much greater, whereas heroin abuse is obviously a very dull subject to actually look at – not much happens. People just stall in the corner, really, or go fairly soporific. " Twenty years later, "T2 Trainspotting, " like its predecessor, turns that "dull subject" into a rollicking ride.
"Films below $20 million are not really worth the studio's time monitoring you that closely, when they have $200 million projects to monitor. " Boyle has never directed a massive blockbuster, though he says he's been offered the chance, especially earlier in his career. "I like the poorer projects, where you're trying to make them look like $100 million. " The "Phenomenal" State of TV In the latest step of a career full of left turns, the Oscar-winning director's next trick will be prestige television — a medium that has seen no shortage of crossover from decorated filmmakers. " Trust, " Boyle's upcoming drama series on FX, will follow the dynasty of the Getty family, a story rife with oil barons, kidnappings, and assorted other true-life dramas. Simon Beaufoy, who previously penned the scripts for Boyle's "Slumdog Millionaire" and "127 Hours, " is writing all the episodes in the first season, and Boyle is planning to direct two to three of them in addition to exec-producing the series.
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Reuniting stars Ewan MacGregor, Ewen Bremner, Johnny Lee Miller, and Robert Carlyle for one more Edinburgh caper, the film, which is entering limited U. S. release on Friday, began to acquire life 10 years ago before spending another 10 years incubating in the minds of Boyle and his collaborators. Danny Boyle Daniel Bergeron "We did turn our back on it [ten years ago] because it was just nostalgic and it was just a rehash, " Boyle said. "So when we got to this one, 20 years later, I think we all knew we'd abandon it unless we found something that felt like there was real reason to believe in a new film. " Boyle's way into the film wound up being the "emotional and psychological pain" the characters are coping with in middle age. Renton (MacGregor) grapples with a nasty divorce and health problems that have steered him back to Scotland to reclaim his lost youth; Spud (Bremner) is desperate to kick a smack habit that never left him; and Simon/Sick Boy (Miller) has simply taken on bigger criminal schemes in an attempt to fill the void in his soul.
In an unusual move, Boyle intends for each of the show's five planned seasons to cover a different decade in the life of the Gettys. And he also wants to shoot them in non-chronological order, with different casts every season but the potential to overlap the characters as the decades draw closer. The first season is casting now, with the goal to be in production this summer. More film directors are turning to TV now, and it's easy for Boyle to understand why. "You look at the variety of the storytelling, it's phenomenal, " he said. "And that has dried up in cinema, for sure. What's extraordinary is the money equation is different. I mean, [TV is] not stupid with money, but they're also not on your back the whole time saying, 'Shave, shave, shave, shave. ' Which obviously the [film] studios are. " United in Manchester Apart from TV, the other project currently commanding Boyle's attention is the new film school he's helping to launch in his hometown of Manchester. Boyle describes his role at the school as a "patron-cum-fundraiser-cum-spokesman, " as well as an occasional teacher.